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Reviews - "blu"
BROADWAYWORLD By BWW News Desk February 23, 2010 David Hare Announces the Winner of 2010 Yale Drama Series Award English playwright David Hare has selected blu by Virginia Grise as the 2010 winner of the annual Yale Drama Series competition. The runners-up are Siona MacDuff by Mary Hamilton and Nineteen Kinds of Peril by Tom Lavignino. The Yale Drama Series is jointly sponsored by Yale University Press and Yale Repertory Theatre and generous support from the David C. Horn Foundation. Playwright Virginia Grise will be awarded the David C. Horn Prize of $10,000. blu will be published by Yale University Press and receive a reading at Yale Repertory Theatre in New Haven in September. Chosen from 960 submissions, blu is about a Mexican American family's response to the loss of their oldest son in Iraq. Virginia Grise, a native of San Antonio, is a Chicana cultural worker, writer, performer, and teacher. Her work has been performed internationally, at venues including the Jose Marti Catedra in Havana, Cuba and The University of Butare in Rwanda, Africa. Her published writing includes The Panza Monologues and an edited volume of Zapatista communiqués entitled Conversations with Don Durito. About this year's winner and finalists, David Hare said, "This is my second year as judge of the Yale Drama Series. There were 960 submissions from all over the English-speaking world. The winning play blu is about the response of a Mexican American family to the loss of their oldest son in Iraq. Virginia Grise's writing is blazingly talented and resonant and the play stays with you long after you've read it. In second place I was happy to put Mary Hamilton's delightful Canadian comedy Siona MacDuff, a strikingly original work about teenage anxieties and friendships. It's sexy, funny and true. And in third place I also greatly admired Tom Lavignino's Nineteen Kinds of Peril, a series of interlocking monologues about life in an American retail chain store. It was refreshing to read such a talented and painful play about a regular workplace." Hare also paid tribute to the colleagues who contributed to the selection process: "I was helped this year by a reading panel consisting of Nicolas Wright, playwright and ex-Literary Manager of the National Theatre; Jeremy Herrin, Associate Director of The Royal Court Theatre; Amelia Sears, Director; Jane Fallowfield, ex-Literary Manager of the Bush Theatre; Emily McCloughlin, Artistic Associate at The Royal Court Theatre; Peter Ansorge, ex-Head of Drama at Channel 4; Tony Bicat, Playwright and Director; and Barney Norris, Director. This was an extraordinarily experienced and diligent group to tackle such a huge task. I am in their debt." Hare went on to say, "Next year I hand over to a new judge. Before I do, I would like to mention that I gave last year's prize to Frances Ya-Chu Cowhig for Lidless. This year there is another female winner. Of the twelve plays on this year's short-list, nine were written by women. As a result of reading such a huge sample of new playwriting, I feel we have at last reached a tipping point. Women's writing for the theatre is stronger and more eloquent than it has ever been. Everyone working on this prize hopes to see that strength reflected in the repertory of theatres everywhere." David Hare also served as the judge for the 2009 Yale Drama Series competition, selecting Lidless by Frances Ya-Chu Cowhig. Edward Albee was the inaugural judge and selected The Boys from Siam by John Connolly in 2007 and Grenadine by Neil Wechsler in 2008. The judge for the 2011 competition will be announced shortly. Subsequent to winning the Yale Drama Series, Neil Wechsler's Grenadine debuted last year in Buffalo at the Road Less Traveled Theatre, and Ya-Chu Cowhig Lidless will debut this spring at High Tide Festival in the UK. Yale Drama Series Yale University Press Yale Repertory Theatre Eleven Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award® nominations and eight Tony Awards, and Yale Rep itself is the recipient of the Tony Award for Outstanding Regional Theatre. In its 44-year history, Yale Repertory Theatre has produced the world premieres of plays by David Adjmi, Roberto Aguirre-Sacasa, Lee Blessing, Bill Camp, Maggie-Kate Coleman, Christopher Durang, Jules Feiffer, Athol Fugard, Marcus Gardley, Kama Ginkas, Rinne Groff, John Guare, Albert Innuarato, Anna K. Jacobs, Walton Jones, Adrienne Kennedy, Arthur Kopit, Sunil Thomas Kuruvilla, Wendy MacLeod, Julie McKee, Terrence McNally, Richard Nelson, Suzan-Lori Parks, David Rabe, Keith Reddin, José Rivera, Sarah Ruhl, Sam Shepard, William Styron, Derek Walcott, August Wilson, RoBert Woodruff, and Doug Wright, among many others. www.yalerep.org The David Charles Horn Foundation Hare Selects Grise's blu as Yale Drama Series Competition Winner Virginia Grise's blu has been named the winner of the 2010 Yale Drama Series competition by playwright David Hare. Hare (The Vertical Hour, Amy's View) selected the work from over 960 submissions. blu, according to Yale, "is about a Mexican American family's response to the loss of their oldest son in Iraq." Blu will be published by Yale University Press and receive a reading at Yale Repertory Theatre in September. Grise will also receive the David C. Horn Prize of $10,000. The runners-up were Siona MacDuff by Mary Hamilton and Nineteen Kinds of Peril by Tom Lavignino. Hare said in a statement, "The winning play blu is about the response of a Mexican American family to the loss of their oldest son in Iraq. Virginia Grise's writing is blazingly talented and resonant and the play stays with you long after you've read it. In second place I was happy to put Mary Hamilton's delightful Canadian comedy Siona MacDuff, a strikingly original work about teenage anxieties and friendships. It's sexy, funny and true. And in third place I also greatly admired Tom Lavignino's Nineteen Kinds of Peril, a series of interlocking monologues about life in an American retail chain store. It was refreshing to read such a talented and painful play about a regular workplace." "Next year I hand over to a new judge," he continued. "Before I do, I would like to mention that I gave last year's prize to Frances Ya-Chu Cowhig for Lidless. This year there is another female winner. Of the twelve plays on this year's short-list, nine were written by women. As a result of reading such a huge sample of new playwriting, I feel we have at last reached a tipping point. Women's writing for the theatre is stronger and more eloquent than it has ever been. Everyone working on this prize hopes to see that strength reflected in the repertory of theatres everywhere." Submissions for the 2011 Yale Drama Series may be sent beginning June 1. The cut-off date for postmark submissions is Aug. 15. For further information visit DCHornFoundation. Hare Names Virginia Grise's blu as Winner of the Yale Drama Series Competition David Hare has announced that Virginia Grise's blu has won the annual Yale Drama Series competition. The play, which focuses on a Mexican American family after it has learned that their oldest son has died in Iraq, will be published by Yale University Press and receive a staged reading at Yale Repertory Theatre in September. In addition, Grise will receive the $10,000 David C. Horn Prize. Grise, a cultural worker, writer, performer, and teacher, has had her work produced at venues such as the Jose Marti Catedra in Havana and the Univesity of Butare in Rwanda. Her published writing includes The Panza Monologues and Conversations with Don Durito, an edited volume of Zapatista communiqués. In addition to selecting blu as the winning script, Hare has chosen Siona MacDuff by Mary Hamilton and Nineteen Kinds of Peril by Tom Lavignino as runners-up. Hare Taps Grise's blu for Yale Playwriting Win Virginia Grise's play "blu," about a Mexican American family's response to the loss of their oldest son in Iraq, is the 2010 winner of the annual Yale Drama Series competition, jointly sponsored by Yale University Press and Yale Repertory Theatre and supported by David C. Horn Foundation. The winner was chosen among 960 submissions by English playwright David Hare. The runners-up are "Siona MacDuff" by Mary Hamilton and "Nineteen Kinds of Peril" by Tom Lavignino. Grise will be awarded the David C. Horn Prize of $10,000 and "blu" will be published by Yale University Press and receive a reading at Yale Repertory Theatre in New Haven in September. Hare points out that nine of the 12 finalists were works by women. "We have at last reached a tipping point," he says. Grise, a native of San Antonio, is a Chicana cultural worker, writer, performer, and teacher. Her work has been performed internationally, at venues including the Jose Marti Catedra in Havana, Cuba and The University of Butare in Rwanda, Africa. Her published writing includes "The Panza Monologues" and an edited volume of Zapatista communiqués entitled "Conversations with Don Durito." Submissions for the 2011 competition must be postmarked between June 1 and Aug. 15. It is open to any original, unpublished and unproduced fell-length play in English. See www.dchornfoundation.org. Yale Drama Series Prize Awarded Virginia Grise, a writer, performer and teacher, has won the Yale Drama Series $10,000 playwriting prize for “blu,” a work about how a Mexican-American family copes with the death of its eldest son, a soldier in Iraq. The English playwright David Hare, who chose Ms. Grise’s drama out of 960 submissions, said in the announcement of the award that, “Virginia Grise’s writing is blazingly talented and resonant and the play stays with you long after you’ve read it.” The prize, which is jointly sponsored by Yale University Press and Yale Repertory Theater and funded by the David C. Horn Foundation, also means that “blu” will be published and will have a reading at Yale. The runners-up are “Siona MacDuff” by Mary Hamilton and “Nineteen Kinds of Peril” by Tom Lavignino. Mr. Hare also noted that this was a banner year for women, who have often complained that they are slighted by theaters when it comes to production. “Of the 12 plays on this year’s shortlist, nine were written by women.” he said, adding that last year’s winner was also a woman. “As a result of reading such a huge sample of new playwriting, I feel we have at last reached a tipping point. Women’s writing for the theater is stronger and more eloquent than it has ever been. Everyone working on this prize hopes to see that strength reflected in the repertory of theaters everywhere.” |
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